From Signs to Spirit: Inside Indivisible Central Michigan

Every Saturday at the corner of South Mission Street and East Broadway, a sound rises above the traffic: Chants of “No kings!” and “This is what democracy looks like!” boom from a group of determined volunteers. The weekly demonstration is organized by Indivisible Central Michigan, a group with a dozen leaders united in the mission of strengthening local political engagement.

Indivisible Central Michigan shares information with the community through Facebook, YouTube, email, Discord and Bluesky. Bluesky is a social media platform created in 2019 and publicly launched in February 2024, according to Indivisible Central Michigan Leader and Bluesky poster Micki Christiansen. 

“When Trump won the election, everybody was against Elon and leaving Twitter. We went to Bluesky, which is a female-designed platform, and it’s a lot like the old Twitter vibes,” Christiansen said.

She said the group protests and organizes events to show people what is happening in their lives that they may not be aware of.

“Its goal is to raise awareness of what’s going on in the government,” she said. “A lot of the media that we are getting here in the U.S. is very heavily skewed and edited.”

Several Mount Pleasant residents have expressed frustration with the government and are demanding change. More than 2,000 people attended the No Kings 2.0 protest on Oct. 18, 2025, which stretched along South Mission Street.

One protester drove almost an hour to voice her opinion.

“I’m feeling pride. I’m feeling encouraged. I’m feeling that people care. We all care about everybody,” said Lynette Rachilla, a Houghton Lake resident. “Personally, I’m not sure if a lot of the things that are happening are going to affect me at my age, but I have children and grandchildren that I want to have clean water and clean air.”

No Kings is an international protest, mainly in the United States, featuring a series of political demonstrations against the authoritarian policies of President Donald Trump and corruption in his administration, according to Indivisible leaders.

“No Kings and Indivisible are partners in the fight for freedom, for democracy and for justice,” Indivisible Central Michigan leader Toni Smith-Holmes said.

Smith-Holmes said they try to get as many people involved as possible, including first-time protesters. They feel successful when more people show up than the last time.

“I measure it [the success] by the honking of the horns and the thumbs up, and the joy in the people who are standing around and talking to each other, finding like-minded people,” she said. “When you come to an event like this, you understand how many people feel like you do.”

Their efforts in the community do not stop at protests, however. Leaders like Christiansen, Smith-Holmes and others said they volunteer, work at the farmers market and participate in additional local events.

“Recently, we were in an art mart in downtown Mount Pleasant with a booth, and every person in Indivisible who wanted to donate, donated items. Then those items were sold, and the profits for those items went to four different organizations, national and local, and that was awesome,” Smith-Holmes said.

There are Indivisible groups across the U.S., but this local group focuses heavily on community outreach and education.

“I keep showing up week after week, month after month, because I could not live with myself if I just rolled over and let this happen,” Christiansen said. “You know, I’ve got three kids. I hope to have grandkids someday. I want to tell them I was there, I did my part, I tried to make this better.”

“I wouldn’t be able to live with myself if I didn’t stand up,” she said.

Assignment #5 Sportrait

Reflection

I was happy with the work I produced, but this was probably the most stressed I felt on an assignment for this class. In Ella and my previous assignments, we usually had more availability and photographed both of our subjects at the same time frame. This time, we had to get these photos done before Thanksgiving Break, and I was mainly free in the mornings, and she was mainly free in the afternoons. 

Luckily, I remembered Janene Chisek, from my JRN 521 video, was really sad she was getting video done and not photos, so I figured I would reach out to her first. The only time that worked for everyone was 8 a.m. on Friday, so we did that. I did not take a wide variety of photos for Janene, but I loved the one I got. Since she is very serious about her sport, I wanted to embody that, rather than a lighthearted environmental portrait. I think I captured her seriousness through the photograph. 

As for Daria Batzner, I knew her through Kyra’s show, and she has been dancing for 15 years, so I figured she would like to be photographed or was at least used to it. Because of this, working with Daria was very collaborative. I would show a pose that I wanted her to embody, and she would execute it much better than I did, but we were able to work together on things.

I had a few technical issues while photographing Daria. Light A often stopped firing. I am unsure if it was low on battery or the light is just old, but it would take up to 30 seconds sometimes in between photographing to let it fire again. Another issue was that I checked out three lights, but one of them had no option for the letter or channel number to show up. We were limited on time, so I unfortunately could not use the third light. I think I made it work and am still happy with the end product.

In-Class Sportrait

Reflection

This in-class activity felt a bit more rushed than usual. For some reason, I totally forgot we were doing it that day, so I prepared myself to do critiques on past assignments. Instead, I was thrown into an assignment with sports, which is something I am least familiar with. This was totally my fault, but I wish I remembered and was able to prepare some poses. I liked being able to experiment with gels as that is something I do not have much experience with. I would definitely like to add gels when I do the actual assignment, especially if I photograph a dancer, I feel like it would add a nice touch to it. 

I loved the dramatic side portrait of Hannah Doran and would like to do that if I can find the right subject. I think the dramatic light that was shown in the classroom was extremely effective, and something I would like to play around with more for sure. I love taking detail shots, so one of my favorite photos I took was definitely the photo of boxing club’s Elliot Talsma wrapping his hands to prepare for the photos. 

Sportraits are relatively similar to fashion in that the model is used to getting their photo taken so it was rather a collaborative process. When working with the lacrosse team altogether, they totally came up with that pose, whereas when just working with Hannah Doran, they were my poses. Working with Elliot Talsma for boxing was equally collaborative between the two of us; we both wanted to do hand-wrapping photos for sure. I had him throw a few different punches and I ended up on that specific one for the photo.

11/11/25 Check-In: Final

I attended their social security presentation on October 1, 2025, and filmed it. I also attended their weekly protest, October 4, 2025, on Mission St. and got some footage there.

Assignment #4 Fashion

Reflection

This was the most fun I had on an assignment for this class. It was really fun to work alongside Ella for this assignment and with two models. Whitney is a coworker who I have not gotten a chance to get to know well, so it was really nice to work with her on this. As for Avery, she is Ella’s roommate, so I knew her a little bit better, but it was still nice to work with her and contribute creatively with each other.

As for location, Ella wanted to do indoors, but I suggested we do outdoors to allow for more location ideas and more creativity. We decided to park by City Hall so we could do some photos at Island Park and downtown to give options. The first location I went with Whitney was City Hall, and I loved how those photos turned out, especially with her purse. Island Park went really well with Avery. I like how the light turned out next to the tree. It was getting a bit dark, so the light was doing a lot.

The final location was downtown with Whitney. We started at Art Reach, but when it was time to switch to Avery, I did not know where I wanted to shoot since her outfit had a much different vibe than Whitney’s. A comic book store owner came outside and saw Avery and me photographing and asked if we wanted to photograph in his store. It could not have turned out more perfectly. I was worried about the lights not adding much since the store was lit, but after looking at the photos afterward, I could definitely see the light added to her right side, and it looked nice.

Overall, I really liked the creativity I was able to use for this assignment. I also really liked how Whitney had a more high-fashion, business vibe, and Avery had a low-key 90s vibe, so it was fun to figure out how to photograph each style. The only thing I would have changed is that I wish it were warmer outside. It was difficult carrying all the gear and pushing the buttons when it was 30 degrees, and I felt bad for the models, especially Whitney, who was in skirts for the majority of the shoot. Because of this, we tried to shoot quicker. So, I am glad I checked gear out from Kris and Ella, checking gear out from equipment checkout so we could shoot our own models at the same time, or else we would have been out there twice as long.

Homecoming Video – Homecoming: The Black Alumni Connection

The Black Alumni Connection at Homecoming

On the southeast side of campus during Homecoming Week, hundreds of people were heard laughing, dancing, singing and having a good time with one another. This noise was from the Tailgates for the football game, but one of the biggest and most lively tailgates was the Black Alumni Association Tailgate.

Central Michigan University 2008 Alumnus Lester Booker Jr. was part of the CMU Alumni Association Board of Directors. He helped plan alumni events and organize alumni who want to come back to CMU to enjoy the 2025 Homecoming Weekend.

“Being back on campus for homecoming is really, for me, a treat every year,” Booker said. “The energy, the camaraderie, it takes me back to being an undergraduate student here at CMU and just looking forward to seeing my mentors, my professors, friends and the community itself.”

Booker said there are over 250,000 alumni across the United States from CMU. He said his goal every year is to make the events welcoming and to allow as many alumni to come back as possible.

Booker said the relationships made and the number of connections created through Homecoming and the Black Alumni community are important.

“I think it’s the people. For me, the relationships I’ve built here at CMU are so important to me. My best friend, I am the godfather of all four of his children,” He said. “So, again, some of those staple relationships that I made here at CMU 20 plus years ago are still very, very important to me. So, I’m just grateful for the experience.”

Reflection

This was hands-down my favorite video I have worked on. I really liked being able to focus on such an important and tight-knit community, such as the Black Alumni Association. I have not often been able to report on people who are a different race from me, so this project was very important to me.

I met Lester Booker Jr. through my University Communications boss, Adam Sparkes, and I instantly knew I wanted to focus on him and the Black Alumni Association for my video. I also photographed the Black Alumni Tailgate last year and loved the environment and closeness of the group, so I knew I wanted to dive deeper into that.

When I spoke to Booker, he recommended I speak to Danielle North as well for my second interview. That worked great for me; I had Booker do his interview before Homecoming week started in the Kulhavi Events Center, where he used to spend most of his days while at CMU. And I interviewed North at the tailgates to get different perspectives for the interviews.

As for Warren S. Galloway Jr., I did not plan on interviewing him. He came up to me while I was filming the Black Alumni Welcome Mixer, and I thought he was a very interesting person, so I decided to interview him. I had to go somewhere 10 minutes after I decided to interview him, so I am definitely unhappy with the location of the interview. But I think it turned out okay since I was fortunate enough to have plenty of B-roll to cover it up.

The most difficult part of editing this video for me was definitely the audio. I have never done a video with three different interviews in three different situations, so balancing the audio was difficult. I had four different videos of my video just because of changing the audio each time. I think it ended up okay, but I probably could have kept messing with it to make it even better.

I ended up covering the parade, Black Alumni welcome mixer and the Black Alumni tailgate. I wish I had created a longer video with Booker interacting with more people, but I really liked how the video turned out, especially the clips from the tailgate.

Assignment #3 Portable Studio Portrait

Reflection

This assignment was really fun and it was cool to work with people who things that they were so passionate about. Photographing Christian was especially fun. I knew him before this project, but I did not know much about his history with cosplay. Seeing him with his cosplay was like a totally different person. He was so excited to try different poses and even incorporate smoke in some images. This assignment was extremely collaborative, with the models giving some ideas as well as Ella and I helping each other out. A thing I wish I did differently was incorporate gels. I thought of gels too late and was not able to check any out, but I feel like they would have looked really nice with the Red Hood photos. 

A thing that was not necessarily bad, but was definitely a speedbump, was the location we chose. We wanted to go somewhere on the first floor of Moore Hall due to the huge size of the space. The issue is we chose the entrance way in front of Bush Theatre and at least 15 people went through while we were shooting. If we did this at night, then it may have been better, but we were definitely in the way for a good two hours. Next time, I would try to go somewhere more isolated. But, the lighting of the location was nice and the size of the space allowed for us to do a lot more than smaller spaces. Overall, it was really fun to work with such different people, a Dick’s employee and a cosplayer. It was interesting working back and forth between the two and how different the photographs turned out.

In-Class Fashion 

Reflection

I think this assignment was the most pressure I felt so far. This was the first assignment we had to photograph people we did not know very well or even at all. The pressure came from the flashes not working. We changed several batteries out and the flash would still work half the time or not at all. It was a bit scary changing lights out and messing with the lights to get them to just work while these people who took time out of their days to come and help us out with something could just watch us struggle. It helped me learn how to work under pressure; issues will always come up but it matters how you handle it in the situation. 

I really liked working with the models because they generally had some poses prepared, as I am extremely out of my element when it comes to posing someone. I went first so I did not have much time to look up pose ideas, but I am excited to do that more in-depth when it comes to the real assignment. When I shot more and got more comfortable with Raina, it was easier for us to collaborate and come up with poses together. Since I am unfamiliar with photographing fashion, it was beneficial for me to just blurt out ideas and things I was envisioning and Raina could figure out poses from there, or alter it to her liking. I liked this assignment, but next time I would like to come in more prepared with pose ideas to not make it feel like I was wasting the models time.

In-Class Portable Studio Portrait

Reflection

I really liked doing this assignment because it was both fun but rewarding. Working with a group, particularly people who I am rather close with, made this a lot easier to understand. Being able to bounce ideas off of each other and figure out how to setup the equipment was really nice in a bigger group of four. 

We ran into a few issues but were able to fix them quickly due to how many of us there were. The first was that our first backdrop was way too short, so we had someone go look for a new, longer one, while the rest of us continued setting up. The next issue we had was the flash not working, due to channels not being visible. This one was not much of a fix, rather, we just had someone run into the classroom and grab a new light that had channels. If I were alone, it would take much longer to identify the problem and then fix it on my own. In this group, one of us would see the problem, and someone would  fix it while we continued on to maximize efficiency. 

As for the photos themselves, I think finding good lighting was pretty easy because it was basic headshot lighting. I am excited to experiment with lighting more during the actual assignment when I have more time. The thing that may be difficult is finding an enthusiastic subject. I think with Ella and I, we both had difficulties coming up with unique and interesting poses for ourselves, and that leads to more boring photographs. I want to come up with good poses, but I also need a good subject who is comfortable in coming up with some of their own as well.